Kiss Remixed
Edition #69 with remixes of the Editors and Mnevis and fresh tracks by Tristesse, Karies, and Frank Popp Ensemble & Lucy Kruger.
Editors – Kiss (Colyn & Konstantin Sibold Remix)
The Editors added some electronic virtuosity with Benjamin John Power, aka Blanck Mass, who co-produced the latest album, EBM, and joined the band as a full-fledged member. Kiss is a hymnic composition with flickering flavours of an almost disco-like feeling.
However, the remix by Colyn and Konstantin Sibold transforms the song into an incredible captivating technoid track—reminiscent of synthwave, accompanied with hauling, altering synth-hooks and an energetic beat.
Tristesse – Im Taumel
The falsetto voice hovers above a lush composition, breathless and dreaming simultaneously. Tristesse, a German newcomer band, draws inspiration from classic indie-rock, shoegaze and dream pop, adding to the sound's richness.
Cutting Circuits
Edition #68 brings you new tunes by Bethan Lloyd, Circa Waves, Moreno itf, Loupe, and The Beauty of Gemina.
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reLISTEN #10: Sadness
In the 10th edition of reLISTEN lies sadness. I present five of the saddest songs I know.
Music's power to evoke emotions is unmatched. I'm constantly staggered by how artists can trigger a vast range of feelings—from excitement and nostalgia to love and melancholia.
However, today's edition of reLISTEN revolves around one particular emotion: sadness. And yes, many of you might think it's a bold and unnecessary collection. Because who wants to feel sad for no reason?
But I would argue that sad music has a healing, cathartic effect. We usually avoid socially unaccepted feelings as they're seen as weaknesses. Today's selection of songs is, therefore, a small and tender rebellion. So close your eyes and do nothing else but listen to these songs and your heart.
Aisha Badru – Splintered
The airy voice of New York singer-songwriter Aisha Badru carries you into a world of vivid lyrics. Splintered slowly builds up to overwhelming instrumental magnificence, contrasting her whispering singing and the supporting choral. It's a song about our disconnection, about humanity—filled with Weltschmerz.