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Janosch Troehler

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5 Songs That Inspired Hugo Trist

Hugo Trist emerges with expressive beats into the field of future garage electronica. We have asked the Swiss artist to share five tracks that inspired his work.

How does futuristic nostalgia sound? What brings together the dark melancholia of the 80s and the danger of electronic experiments? The answer is called Hugo Trist.

Hugo Trist
Hugo Trist is Switzerland's latest electronic enigma. Photo: Promotional

Behind the enigmatic persona of Hugo Trist is a man who has roamed Switzerland's music scene since 1995. Urs Meyer, founding and still active member of legendary post-rock band Leech, wanders new paths with this project.

When the single Say It, Mean It dropped in March this year, I was blown away by the «nostalgia-dripping 2-step sound», which he effortlessly catapults «into a contemporary field of tension, meandering between melancholia and excitement.» And then, there are these massive, towering bass drones—shrinking your existence to a spec of dust in the back vortex of space and time.

Hugo Trist's debut EP, Understand Me Now, was released on May 10, proudly showcasing the shades within the dense sound. Collaborating with the mysterious voice of Nin Lil, the tracks gain an almost ethereal quality, a refuge for love and emotion in a cold, broken, post-modern world.

When my shelter starts to burst
And no one's left to hurt
You always seem to raise a smile
With the world at lightning speed
And time is all we need
With you, I want to rest a while

The press briefing for Hugo Trist states: «In the digital age, where everything is possible but nothing is real, Hugo Trist creates a magnetic pull for those who seek the enchanting convergence of sombre moods and electrifying rushes of euphoria.» And it is a perfect description of what to expect when diving into this world. However, I would add a fair warning: Once you are there, you won't easily escape.

But where can we find the spring of inspiration for the sound of Hugo Trist? Where are the traces in music history that we can track to better understand how Urs Meyer, playing the guitar, piano, and synthesisers for Leech, crafted the captivating compositions?

I have asked him to share five tracks that inspired Hugo Trist, and his answers mostly draw a straight line into the melancholic yet hymnic synth-driven songs of the 80s.

Ultravox – Hymn

Uplifting, captivating, powerful, and emotional. Still hits me every time I hear this masterpiece.

The Future Sound Of London – My Kingdom

I have a big love for this combination of mystic and floating sounds and groovy rhythms. I tried to copy this concept many times but never came even close…

Suicide – Surrender

Still feels like falling in love for the very first time!

Talk Talk – Such A Shame

I have no words for it, really. All of Talk Talk’s music touches me deeply, and this one in particular.

New Order – True Faith

The first time I heard this song was in my teenage years when I was riding bumper cars with someone I had a crush on. It has been part of my life since then.

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The Beauty of Gemina Retrospective III: Stripped

Ahead of their 10th studio album, «Songs of Homecoming», we explore The Beauty of Gemina’s history, development, and sound in a three-part retrospective.

I′m standing at the crossroads
There are many roads to take
But I stand here so silently
For fear of a mistake
One path leads to paradise
One path leads to pain
One path leads to freedom
They all look the same.

The Swiss band The Beauty of Gemina is about to release their 10th album, Songs of Homecoming. Before the record’s arrival, I listened to the previous albums again, revising firmly held opinions and sharing past experiences with the band.

For this retrospective series, I went through old backup drives and folders and recovered some material that is no longer available online or has never been published. Today, the third and final part is available.

The Beauty of Gemina Retrospective I: The Goth Years
Ahead of their 10th studio album, «Songs of Homecoming», we explore The Beauty of Gemina’s history, development, and sound in a three-part retrospective.
The Beauty of Gemina Retrospective II: Disruption
Ahead of their 10th studio album, «Songs of Homecoming», we explore The Beauty of Gemina’s history, development, and sound in a three-part retrospective.

In May 2016, The Beauty of Gemina did something bold: Announcing their upcoming album, Minor Sun, the single Crossroads was released.

It was daring because it was a cover version of Calvin Russell’s 1991 song; a sure instinct is essential because cover versions are a double-edged sword. They either plunge straight into the listener’s heart—or you stumble and fall into the blade yourself.

But Crossroads’ theme perfectly represented the band’s place at that time. When the song was released, I wrote:

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Edition #124

In the last edition before the summer break, we recommend the new songs by Nebno, SPINN, Imogen and the Knife, Panik Deluxe, and Neumatic Parlo.

Nebno. Photo: Promotional

After today's edition, Weekly5 will go on an extended summer break for a couple of weeks. It is time to rest, reflect, and regroup—as 2024 shapes up to be the busiest year in Weekly5's history. With 16 more editions planned in the coming months, the glorious number of 200 curated songs seems finally in reach.

Weekly5 will be back on September 1. Until then, I leave you with today's five chosen tracks, our «Anthology», and a teaser that there will be surprises coming your way.

Nebno – Love Is a Special Thing

Counteracting the summer heat, Nebno floats and meanders with an ethereal cool breeze over the vastness of her compositions. Love Is a Special Thing—densely layered and colliding between symphony and electronic avant-garde—is the Swiss artist's latest and most impressive soundscape so far.


SPINN – On & On

If you sit in a fast car, the landscapes start to blur and melt together. The same happens in Liverpool-born SPINN's new track, On & On. With a hasty groove and playful guitar melodies, it's indie rock's blueprint. But you can also taste the flavours of catchy pop and even a hint of post-punk here and there.


Imogen and the Knife – Red (Is My Colour)

The EP Some Kind of Love by Newcastle's singer-songwriter Imogen and the Knife is a striking work of beautiful, comforting melodies and poetic depth—best exemplified by Red (Is My Colour). Dark yet soothing, minimalistic and bombastic, this song is a gripping ballad.


Panik Deluxe – twigs

Harsh, dangerous, and dark, it hails from Austria's capital. Vienna roams the night to Panik Deluxe's new single, twigs. Her voice almost drowns, pushed down deep by the loud synth hook. But there are moments of an almost sonic loveliness in this story about the betrayal of trust.


Neumatic Parlo – carnage

A splash of punkish indie-rock hits the surfboard of Neumatic Parlo, a band that sounds so quintessentially British that the fact they are from Dusseldorf, Germany, hits you like the breathless, die-another-day energy they hurl towards us in their new track, carnage. What a teaser for their debut album!

🎧
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Edition #123

In today's edition, we recommend the new songs by Kaktus Einarsson, Raskolnikov, Kitty Solaris, Komodo, and CLÅRA.

Kaktus Einarsson. Photo by Lóa Fenzy
Kaktus Einarsson. Photo: Lóa Fenzy

We are soon approaching the summer break. Next week's edition will be the last for a while, but at least one special is already in the making. So, don't go anywhere—also because today's selection features some intriguing tunes.

Kaktus Einarsson – Be This Way (feat. Nanna)

Be This Way is a softly performed duet by the Islandic artists Kaktus Einarsson and Nanna Bryndís Hilmarsdóttir, frontwoman of Of Monsters and Men. The playful, almost whimsical composition—together with their voices—radiates warmth, intrigue, and curiosity.


Raskolnikov – L'irréparable

Post-punk meets poetry in Raskolnikov's second teaser for their third album. The trio, spanning Switzerland, France, and Spain, sets the 1857 poem Les Fleurs du Mal by Charles Baudelaire to music. L'irréparable sounds haunting and demands attention.


Kitty Solaris – Follow The Beatniks

A laid-back, smooth groove welcomes you into Follow The Beatniks by Berlin-based Kitty Solaris. Drawing the line between the Beat Generation and today's social media craze, the song covers the relaxed surface with thoughtfulness. An invitation for reflection.


Komodo – Rat King

Tasty, groovy, and a bit dangerous: Dutch rock band Komodo unifies psychedelic influence, desert blues, surf-rock, and even Indian Raga into a captivating sound—danceable, irresistible. Rat King spreads a familiar vintage vibe with sprinkles of exotic sounds.


CLÅRA – alles/nichts

CLÅRA, a 19-year-old German newcomer, meanders between indie-pop and trip-hop. Her second single, alles/nichts, is a short affair—minimalistic yet somehow ethereal, like flickering lights in a foggy urban night. A sound and an artist worth watching.

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You can listen to today's curation on selected streaming services:

SpotifyApple MusicYouTube MusicBandcamp

«Learning to communicate my wishes was extremely difficult»

The new EP «Where Do You Wanna Go?» by nothhingspecial is an incredible work of art. A conversation about gut feelings, collaboration, and vulnerability.

There is something magical about a flawless record—one you enjoy on repeat for hours, undisturbed by mediocracy. Although today’s reality is driven by single releases, collecting five outstanding songs in an EP remains a feat rarely accomplished.

In 2021, Cologne-based nothhingspecial gained traction with her self-produced EP somewhere we don’t know, especially with the track find me at the bottom of the ocean. The record is an uncut gem, raw and unpolished in its production but already offering glimpses of potential simmering within the then-20-year-old artist.

nothhingspecial, photo by Max Lange
Photo: Max Lange

We can now hear how this potential would manifest in Where Do You Wanna Go?, nothhingspecial’s sophomore EP released mid-June. It is a far cry from the thin lo-fi sound before. Co-produced by Luis Nussbauer, the record is brazenly good in everything: sound, pacing, variety, and dramaturgy. It is 19 minutes of brilliance.

Nussbauer had a significant influence on the EP—he co-wrote two songs. «I was caught in a creative block. I couldn’t find any inspiration; I didn’t know what to write about. Luis invited me into the studio to experiment without pressure. I’d never experienced that before because I’d always written music on my own before, working for myself in the room,» Chrissie Kühl, aka nothhingspecial, reveals in an interview with Negative White.

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