reLISTEN #17: Goosebumps II
In the following edition of reLISTEN, we uncover four classic studio recordings that provoke goosebumps. However, the last track deviates from the norm.
In one of the first reLISTEN editions, we already presented five goosebump-provoking songs from artists like Adna or Louis Dunford.
It was one of the most popular issues of this format, where we recommend older songs—mainly around a specific subject. So, it's definitely time for a follow-up.
Today's edition consists again of five songs; however, only four of them were recorded in a studio. The last song adds a bit of a twist but arguably has one of the highest «chills factor» amongst today's selection.
The Beauty of Gemina – When We Know
Released in 2014 as part of their album Ghost Prayers, The Beauty of Gemina's When We Know is undoubtedly one of their most hauntingly beautiful songs. The acoustic guitar reverbs in the dark, accompanied by singer Michael Sele's deep voice. Faint strings appear in the background.
When We Know builds up slowly, the guitar gains energy, and the bass adds depth. But the knife that pierces right into your heart is the chorus with its cello melody and some of the best lyrics Sele has ever written:
Artificial Flame
Edition #97 recommends the new tracks by Tusks, HOME, ill peach, Stainwasher, and A Certain Someone. Discover here.
Angie McMahon – Light, Dark, Light Again
Australian singer-songwriter Angie McMahon demonstrates artistic and emotional sophistication in her sophomore album.
It was the song Missing Me that introduced me to Angie McMahon in 2019. The single's raw and reduced composition felt like a long-awaited return to rock music's essence.
With Salt, the Melbourne-born artist delivered a highly praised debut album, even shooting up to 5th place in Australia's charts. Eddy Lim, reviewer at the Beat Magazine, wrote: «While Salt is primarily driven by deft guitar work and a tight rhythm section, it's McMahon's stunning vocal performance that unequivocally captures the spotlight.»
Four years passed, and finally, Angie McMahon released her sophomore work: Light, Dark, Light Again. And it sounds significantly different from Salt—already anticipated with the first single release, Saturn Returning—yet arguably even better.
I have been listening to Light, Dark, Light Again for weeks at this point, yet I still struggle to fully grasp the album and put my thoughts into sentences that pay justice.
There are obvious observations like the piano replacing the guitar as the main character in most compositions—a development that originated in the 2020 compilation of Salt songs in piano versions.
Or that, suppose Salt was a raw blueprint of blues-infused rock music, the new album seems like a natural evolution: Its compositions are more complex and refined, sophisticated gems of singer-songwriter brilliance, encompassing all from rock, folk, blues, and country music.
Or the connection to nature as a facilitator of healing with references in the lyrics and soundbites introduced in songs like the opener, Saturn Returning.
However, none of these facts scratches the depth of the brilliance Angie McMahon displays in the 13 songs of Light, Dark, Light Again. There is more to unpack here, maybe too much for a single review.
Roman Reports
Edition #96 brings you new songs by Les Yeux Sans Visage, LNA, Hearts Hearts, Taranja Wu, and Compact Disk Dummies.