All of a sudden, there is this unexpected drumbeat, soon merging with the bass into a rhythm and reverberating in the void. At the same time, the synthesiser emerges from the shadows, two alternating tones like a drawn-out siren. The sound swells, humming, a flood that sweeps you away and drowns you.
Pool Song is infinity cast in music. It is the crowning achievement of the German duo Lea Porcelain’s previous—if not already completed—work. In this piece, their search for eternity manifests itself and is perhaps the moment they come closest to this goal.
They were an unlikely pairing: Markus Nikolaus, an indie musician and singer-songwriter, and Julien Bracht, an up-and-coming techno producer. Two straying planets that unexpectedly found themselves in the same orbit.
In 2016, they released the first singles as Lea Porcelain, including Warsaw Street. There was this post-punk sound, the almost depressive mood of a Joy Division song, combined with the fading synthesiser pads.
Lea Porcelain created two albums: Hymns To The Night (2017) and Choirs to Heave* (2021). Both offered outstanding songs. In between, they released the EP Love Is Not An Empire, which featured I Am OK, a surprisingly light, ukulele-driven song that became their biggest hit.
After a crowning tour finale at the Funkhaus Berlin, the creative headquarters of Lea Porcelain, the band went silent. Markus Nikolaus pursues his label «Porzellan Bar» and various other projects, and Julien Bracht is working as EMPIRICAL towards his goal of performing at «Coachella».
For the time being, centrifugal force seems to have overcome gravity; the future of Lea Porcelain is written in the stars.
Exhaustion in Rio de Janeiro
Pool Song was created on the other side of the globe, far from Lea Porcelain’s home, in Rio de Janeiro. In a villa in the hills, owned by Uwe Fabich, the ex-banker and owner of Funkhaus. Their stay there was his way of saying thank you for their work in the artist community.
